LITTLE KNOWN FACTS ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928).

They are often craving romantics, using this type of change: Buster appears to be a plausible mate, as well as the Tramp rarely seems to have a libido, only idealized notions. If their comedies were created in a far more liberated time, it is feasible to assume Keaton in mattress with a woman, but disquieting to think about the Tramp as being a sex